Exhibits

This Woman’s Work Art Exhibition & Community Workshop Series

The Community Folk Art Center presents “This Woman’s Work” a groundbreaking group exhibition and workshop series funded by the New York State Council on the Arts.

Join us for an artist Talk On January 16th at 6:00 PM 

Register Today

This innovative project, initiated by artist and community psychologist Rochele Royster, brings together thirteen local artists to collaborate as a collective and create artwork that celebrates the profound impact of Black women’s community care in Syracuse and Central New York. Highlighting the often-overlooked contributions of Black women, starting with the story of a Black herbalist from 1733 who lived near Ithaca, New York. The exhibit traces the pivotal work of Black women from the past to the present, demonstrating how their community care and mutual aid have shaped Central New York and the communities where they lived and worked.

Some of these women, like Harriet Tubman and Sarah Loguen, are well-known figures in the region’s history. Others, such as herbalist Elsye Brooks and musician Libby Cotton, may not be as widely recognized but played equally important roles. Artists researched these women’s stories and crafted visual representations  imbued with symbols and imagery that reflect their care work. The exhibit captures moments of intimate, inter-generational care and the profound weight of what it means to hold and carry care in the Black community. This exhibit stands as a living memorial to Black women’s care in Central New York—a continuum that asks us how we care for each other today. It prompts reflection on the enduring models of care that we can learn from, honor, and continue.

The exhibition features an interactive component where community members can share stories about the women in their families and communities who have resisted through care. Highlights of the exhibition include a community weaving, community created altars, immersive storytelling sessions, and skill-share art workshops designed to educate and honor the work of local Black women while building community through the arts.  On view in the Herbert T Williams Gallery from December 5th 2024-  February 28th, 2025, the exhibit aims to provide a platform for learning, reflection, and celebration of Black women’s resilience and community care practices. Visitors will have the opportunity to engage with the artwork, participate in storytelling, and attend workshops that delve into the rich history of mutual aid and care led by Black women.

Exhibiting artists include : Abdoul Malik Abdoulmoumine, Carlton Daniel, Charles ‘Deeda’ DeShields, Charles DeShields, Ebony Flag, Arthur Huthcinson, Courtney Mauldin Nadiya Narcorda, Giselle Richmond, Marion Rodriguez, Rochele Royster, Evan Starling, and Cheeki Williams.

Upcoming Free Visual Arts Workshops 

 

 

Community Folk Art Center 2024 Presents : The 2024 Coming Back Together Alumni Exhibition “Community & Connection”

The Community Folk Art Center Presents : The 2024 Coming Back Together Alumni Exhibition “Community & Connection”

A Group exhibition by London Ladd, JoAnn Onofre, Chelsea Reeves, and Cedric T. Bolton

Now on view September 13th – November 30th , 2024

In Celebration we reflect on our shared experiences, this exhibition serves as both a reunion and a testament to the power of art in fostering community and building lasting connections. The Tri-Annual Coming Back Together (CBT) weekend is a celebration of Syracuse University’s Black and Latinx alumni, a moment to recognize the profound impact they have had across diverse fields.

It is a homecoming filled with nostalgia, triumph, and a deep sense of belonging. This exhibition, Community & Connection, reflects the very essence of this spirit—how the bonds we create extend far beyond the physical spaces we occupy, into the realms of memory, identity, and shared purpose.

The works showcased represent a collective narrative. Each piece speaks to the artist’s personal journey while contributing to a larger conversation about community, culture, and resilience. Whether through painting, sculpture, photography, or mixed media, these alumni artists have embraced the power of creativity to explore the multifaceted dimensions of connection—connection to self, to heritage, to place, and to each other.

At the heart of this exhibition lies the belief that art is a vessel for transformation. It has the unique ability to bridge divides, spark dialogue, and cultivate understanding. As you navigate the gallery, I invite you to engage with the stories these works tell, to see yourself within them, and to reflect on the ways in which art serves as a tool for both personal and communal growth.

This exhibition is also a celebration of the Community Folk Art Center’s mission to promote and preserve the cultural heritage of African Diaspora and other underrepresented communities. The artists featured in Community & Connection exemplify this mission, as their work not only reflects the diverse experiences of Black and Latinx communities but also underscores the significance of cultural expression in shaping a more inclusive world.

To our alumni artists, thank you for sharing your talents and your vision with us. Your contributions remind us of the enduring power of community, and of the connections that continue to enrich our lives long after we’ve left this campus.

To our visitors, I hope this exhibition inspires you to reflect on your own connections—those that define who you are, those that ground you in your heritage, and those that guide you toward a more just and compassionate future.

Meet The Artists

London Ladd ’06, G’22

London Ladd is a critically acclaimed illustrator showcasing work in prestigious publications such as HarperCollins, Philomel Books, the New York Times, the Washington Post, and Scientific American. His distinctive mixed-media technique combines acrylic paint, cut paper, and tissue paper to bring a variety of subjects to life. Each image is emotion-filled, reflecting the artist’s devotion to representing life. Ladd creates picture books and editorial illustrations for print media and community-based murals. He is an Assistant Professor at Syracuse University, where he earned his BFA and MFA degrees. Ladd was honored with an honorary Doctor of Fine Arts from the State University of New York and was nominated for an NAACP Image Award. He was also shortlisted for the World Illustration Awards and received recognition from several organizations, including the Society of Illustrators, Communication Arts, American Illustration, and the American Library Association.

JoAnn Onofre ’04

JoAnn Onofre is an Afro-Indigenous Honduran American documentary photographer, born and raised in Brownsville, Brooklyn and currently residing in the Bronx, NY. Through her lens, JoAnn is committed to highlighting Black and Brown communities across the globe. From her early days of filming at legendary music venues throughout NYC to documenting everyday life in the rural Garifuna pueblos of Honduras and to her most recent travels crossing the pond capturing British Afro-Caribbean life in London, UK. JoAnn is dedicated to documenting the true essence and spirit of her subjects. After photographing mainly in digital format for over 10 years, JoAnn recently fell in love with the film photography process; it has now become her favorite medium to shoot portraiture. Her current photo series (working title) “Nuestra Hijas” translated in English “Our Daughters”,redefines traditional father and daughter relationships, while connecting with her audience. JoAnn is a Syracuse University Alum (Class of 04’) with a major in Communication Rhetorical Studies and a double minor in Anthropology and African American Studies. She has been a media professional for 20 years & has worked with MTV, BET, HBO, Travel Channel, and Complex Networks, just to name a few. JoAnn recently expanded her photography training at the Bronx Documentary Center, a non-profit gallery and educational space for aspiring and professional photographers in the Bronx, NY. When JoAnn isn’t licensing your favorite songs, photos, or TV series, she’s traveling to Europe, visiting local museums, and trying new cuisines.

Cedric T. Bolton G’18

Multi-genre artist, Cedric T. Bolton (a.k.a. Blackman Preach), is an award-winning spoken word poet, music producer, recording artist, entrepreneur, scholar, and content influencer. Cedric received his Bachelor of Arts degree from Western Washington University and a Master’ in Cultural Foundations at Syracuse University. He is the architect of Poetic Black Fusion,

a poetry organization that provides access and opportunities to poets of African Ancestry; co-founder of Voices Merging, a student-led spoken word poetry organization at the University of Minnesota that provides a social outlet for undergraduate writers—to develop, network and express themselves on stage; co-developer of Verbal Blend, a multi-ethnic spoken word poetry program for student writers at Syracuse University; and co-founder of Nu Rho Poetic Society. Cedric is an adjunct instructor with the Renée Crown University Honors Program at Syracuse University. He has recorded three spoken-word poetry albums with music; The State of the Ghetto Address, Bumpy Tymes, and 12 Years Gone.

He published a chapbook entitled The State of the Ghetto Address. He has mentored students, staff, faculty, and community writers to be confident in their voice and writing for twenty-five years. His writer’s workshops are the embodiment of community, family, and the continuing presence of “One Mic, One Voice.”

Chelsea Reeves ’24

Chelsea Reeves, a Newark, New Jersey native, is currently pursuing a degree in Public Relations, on the Sports Media & Communications Track at the S.I. Newhouse School of Public Communications. Passionate about photography, Chelsea is employed with Syracuse Athletics as a sports photographer, and also does freelance work. Every year Chelsea holds a solo exhibition to showcase her photography work. Through the exhibitions, she aims to merge different campus communities and cultivate a safe environment for creative expression. Chelsea is determined to intertwine her passion for photography and her degree to champion rights and foster equitable opportunities for women athletes of color. She is open to collaborating and networking within the realms of sports, media, and civic engagement.

 

“People, Please.” By Anthony “T0NEWASH” Washington

Image of People Please Exhibition at the Community Folk Art Center

On view from June 24th – August 30th, 2024

Artist Talk : Saturday July 27th 3:00 PM – 5:00 PM 

The Community Folk Art Center presents “People, Please.”, a solo exhibition of 41 mixed media and photography pieces from Syracuse-based artist, Anthony Washington. This dynamic exhibition offers a unique narrative through the coming of age of a neurodivergent black man experiencing life as an artist in white suburbia. “I was recently diagnosed with severe ADHD at age 35. This gave me an entirely new perspective on my struggles during childhood, and as a young adult” says Anthony.

As a black neurodivergent artist, hip hop music, particularly elements of sampling, jazz, soul, and graffiti have shaped Washington’s identity as a black man. Throughout his upbringing, he silently found blackness in a whitewashed community through hip-hop and protected himself through his headphones, locs, camera, sketchbook, and cans of spray paint. The places he called “home” as a young adult were ultimately just environments of chaos where he stored his belongings.  “There is a unique expectation that applies to being raised in an environment where the color of your skin poses a threat to the status quo. “My objective is to encourage young black men like me to express themselves freely without stigmatization and find their voices wherever they exist.” Says artist, Anthony Washington.

About the Artist: Anthony Washington is a multi-faceted artist from Syracuse, NY. Anthony creates visual music through his drawings, paintings, photography, and street art. Using a wide range of materials he finds in his environment, Anthony tells a narrative of his experience as a neurodivergent black man growing up in a predominantly white landscape.

“Chromatic Expressions” by Megan Lewis: A Celebration of Vibrant Diversity at the Community Folk Art Center

On View from March 25th – May 4th 2024

Chromatic Expressions Exhibition at The Community Folk Art Center, Painting of Person in Yellow Hat, CFAC Logo

The Community Folk Art Center is thrilled to announce the opening of “Chromatic Expressions,” a captivating art exhibition by the esteemed artist Megan Lewis. The exhibition will be on view from March 25, 2024, to May 4, 2024, inviting art enthusiasts to immerse themselves in Lewis’s vivid world of figurative painting and muralism. Lewis will also have an artist talk on April 17, 2024, at 6:00 PM at the Community Folk Art Center where she will delve into her creative process, inspirations, and the themes explored in “Chromatic Expressions.”

About the Artist: Born in 1989 in Baltimore, MD, Megan Lewis is an accomplished artist who graduated with a BFA in Illustration from the Ringling College of Art and Design in Sarasota, Florida. Her artistic journey has been marked by a commitment to celebrating the beauty, resilience, and complexity of the Black experience. Lewis’s work as a figurative painter is characterized by her masterful use of the palette knife, infusing her creations with bold colors, geometric patterns, and intricate textiles. Through her fantastical subjects, Lewis invites viewers to contemplate the thoughts and emotions of her characters, each embodying a unique narrative shaped by chance encounters and the artist’s boundless imagination. Embedded within Lewis’s layered canvases are profound conversations on the social and historical portrayals of the Black body. In her statement, Lewis shares her journey of self-discovery and artistic expression, rooted in her experiences, memories, and aspirations.

The Community Folk Art Center is honored to host “Chromatic Expressions,” a testament to Megan Lewis’s extraordinary talent and unwavering commitment to artistic innovation and social justice, says executive director and curator Tanisha Jackson. As a beacon of cultural and artistic pluralism, CFAC is dedicated to promoting the work of artists of the African Diaspora and fostering dialogue, understanding, and appreciation within our community and beyond. Join us in celebrating the opening of “Chromatic Expressions” and experiencing the transformative power of Megan Lewis’s art. The exhibition promises to be a journey of discovery, inspiration, and celebration of the rich tapestry of human experience.

“Unveiled Echoes” by Jalen Law- History Brought to life through Augmented Reality

 

Community Folk Art Center Presents : “Unveiled Echoes” by Jalen A. Law

On view from January 22nd, 2024 – March 16th 2024

Unveiled Echoes” offers an immersive journey that transcends time, seamlessly blending history, culture, and art into a mesmerizing tapestry. This visionary exhibition harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal. Comprising 22 artworks in total, each piece is a meticulously reconstructed portrait providing social, cultural, and political context of this time period.

About The Artist 

Jalen has been an artist since the age of four. He’s always been interested in different forms of creation, including painting, drawing, and sculpting. In his sophomore year of college, he decided to create his own business around his artistic talent. Since, his path has expanded into many different directions, in particular with creating murals. His first mural was a City of Buffalo initiative to honor essential workers during the COVID-19 pandemic — the piece was a 5’X10’ aluminum panel honoring doctors and nurses. Then, the Niagara Falls Heritage Center approached him about creating a portrait for their Niagara Falls Murals initiative, leading him to create his Calvin “Pop” Porter mural. Common themes in Jalen’s work include utilizing technology and digital arts, including audio and video stimulation, to allow all types of people to engage with his pieces. Currently, he is working on a research-based art program called the Emotional Intelligence Program to equip students with social and emotional tools that will assist them inside and outside of the classroom.

 

“A Love Supreme: Black Cultural Expression and Political Activism of the 1960s and 1970s” Traveling Exhibit

 

Visit the Community Folk Arts Center to explore Syracuse University Libraries’ Special Collections Research Center’s (SCRC) traveling exhibition of “A Love Supreme: Black Cultural Expression and Political Activism of the 1960s and 1970s.”

On View: September 11, 2023December 15, 2023 EDT

This exhibition was previously on display at SCRC from January through August 2023. A Love Supreme reimagines the Black Power and the Black Arts Movements by intentionally unmuting a multitude of Black writers, leaders and artists from SCRC’s manuscript and archival collections as well as the rare book and printed materials collection.

 

Exhbition: Active Repair: Works from the Social Justice Sewing Academy

 

The Community Folk Art Center will host an exhibition of group and individual quilts from the Social Justice Sewing Academy, a non-profit organization that empowers individuals to utilize textile art for personal transformation, community cohesion, and begin the journey toward becoming an agent of social change.

This event is organized by the School of Information Studies and supported by the Humanities Center’s Syracuse Symposium on “Repair”.

Exhibition on View: December 12, 2022 – February 17, 2023 ; Monday – Friday 10am – 7pm and Saturday 11am – 3pm

 

 

 

 

 

carry the wait

“carry the wait” by Shanequa Gay

=Carry the Wait Flyer

This flyer advertises an exhibition featuring artwork by Shanequa Gay

 

We are celebrating our 50th Annual Teenage Competitive Art Exhibition taking place at the Community Folk Art Center May 16th – June 4th, 2022.

The mission of this teenage competitive exhibition is to provide a platform for high school students from diverse backgrounds, especially those of African descent to exhibit their artwork.